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At the foot of Grand Circus Park on Woodward stands a tower among towers. In a city full of grand architecture, the David Broderick still manages stands out. Like the center point of a compass, Grand Circus Park and the Broderick Tower anchor Detroit’s “spoked-wheel” network of pre-20th century roads. The construction of the Tower itself was started in 1926 and finished two years later. Importer Theodore H. Eaton contracted the highly reputable architects Louis and Paul Kamper do design his magnificent building. Louis, who had built booth the Book Tower Building and Book Cadillac Hotel, incorporated many of the same opulent details into construction of the Eaton. However, there are many differences as well. Unlike his other skyscrapers, Kamper integrated a new style called “Chicago School” into the design.
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The style originated in the very early 1900s and featured a 3-tier approach to the building of a skyscraper. The bottom floors were always very nice and almost always retail space. The middle of the building would be the office or residential space, usually with very little ornamentation. The top of the building was set aside as penthouse living space for the building's owner. Usually, much of the details were on the upper floor and these buildings were often topped with a decorative cornice. The Eaton was also once decorated with a neo-classic cornice. Its crown was made of 3-foot high stone spires along its edges. In 1945, the building was sold to David Broderick, a prominent insurance broker. He renamed the building The David Broderick Tower. Theodore Eaton’s penthouse was also transformed into the “Sky Top Club” where Mr. Broderick would entertain his clients and friends. | |
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Throughout its active period, the tower and surrounding community of historic office buildings were an accurate barometer of the city's health and well-being. Inside the Broderick Tower was a fantastic mix of shopping and services. Dentist offices, record shops, dance studios, and even X-ray labs filled the many floors and rooms of the tower; long ago, radio stations broadcast from the building. Today, the abandoned tower sits as testament to the ignorance of casting aside historic buildings like this, which are simply forgotten. Beaten and weathered, the building still remains in sturdy shape. Despite the loss of its glorious crown, the character of the tower becomes more and more noble as decades pass. In the 1990’s local eco-artist Wyland was commissioned to paint his now-signature piece of urban art. On the building's east side is a mural of three swimming whales breaching the ocean water. Regrettably, for the past two years tacky advertising has covered the beautiful 15-story mural. The owners insist that the revenue is eventually going to pay for the restoration of the building but no signs of construction are evident.
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My first up-close and personal encounter with the Broderick came as a “trump” to another successful urban adventure. During a particularly good summer of exploring, I found myself sitting on the rooftop of the Metropolitan Building with a very good friend. We were having a drink and smoke, looking up and admiring the Broderick. While sitting there in awe, we spotted a small hole in the sixth floor. The corner window on that floor was open, and accessible. We discussed it for the length of a cigarette and decided to make it a “two-for-one” night. After leaving the Metropolitan, we made our way through the alley to the open construction site adjacent to the tower. We dashed up a partial staircase to the fourth floor as quietly and covertly as possible. The stairs stopped with two more floors to go. I followed my friend up to the sixth floor climbing, the metal beams just like an ironworker. We walked nearly 60 feet along an eight-inch beam over the top of a three-floor drop off.
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After squeezing through the window, we continued from the room in which we had entered. Where I had expected living space there were offices filled with furniture and the inevitable drab, gaudy office decor of the 1970’s -- complete with an abundance of wood panel walls and dot matrix printers. There were oddities like dentist molds for teeth, unopened medicine from the 1950s, and medical records. Old typewriters, appliances, and even a ridiculously cool old fashion public address (PA) system still remained. This place had it all; I was mesmerized by all the interesting and historic objects lying around. Newspapers from the 1940s, photos, art and maps of the city in1960 -- all there like in a time capsule, reminding us of the way it used to be. As we walked around the next couple of floors, a summer thunderstorm spat fierce lighting outside, and the thunder, which shook all the windows, further heightened our adrenaline levels.
Up near the middle we found a second staircase, an internal fire escape of sorts for the tower. It was made of old corroded iron. We decided to leave it be, and continued up the path we were on. The stairs in the center of the tower were pitch black and musty; my lungs ached by the time I made it to the penthouse. Everywhere we went we were stirring up dust, paint particulate and who knows what else. We couldn’t have made it up to the penthouse a minute sooner. The rain had let up, so I made my way to one of the corner balconies of the tower to enjoy the view. Each corner balcony is adorned with a terra cotta orb. From the street the orbs are just another decoration on the profile of the Broderick, but from inside the painted faces on each of the orbs are as eerie as they are comical. |
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On the northeast corner of the building overlooking Comerica Park was a room that once belonged to a dentist. It had recently been used to cook and cut methamphetamine. A Bunsen burner, various tubes and containers were lying around. They had recently been used and looked as if they came from a dentist's office. Pseudoephedrine or Sudafed packaging lay in a pile on the floor. Thinking of all the times I had been to games in Comerica Park I still can’t believe this was here, so close.
In other rooms we found the leftover paint from the “Whaling Wall” mural. Vandals who came across this stockade of paint could not resist the temptation to get rowdy and mess things up, so they did. Colorful green and blue paint streaked and splattered across the entirety of floor -- Jack Johnson would be proud.
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The Sky Club penthouse is laid out over two floors. It was, and still is the most favorite thing I have ever stumbled upon in any abandoned building so far. The bar area was wallpapered in prints of the 1930s Detroit skyline. The scene is very Parisian. The wallpaper depicted views looking up at the tower from Grand Circus Park – and were far removed from the reality of this area today. It was like looking at an entirely new city. Though tattered, pealing and marred by pointless tagging, the image of the tower is front and center in the prints. Lights on every floor shimmer and shine bright, as well as those of the other buildings in the now defunct Grand Circus Park.
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| Facing the river, and still there after all these years, is the original sky bar. It is black and trimmed with white. A large mirror that once adorned the bar is now shattered, and layers of dust covered the bar itself. Surprisingly, the first time I was behind the bar it was still stocked with a few broken wine bottles and glasses, all of which have been looted by now. Also there were some dingy beer bottles and a pin-up calendar from the 1960’s. | ||
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The area adjacent to the bar was a sitting room with a fireplace made of marble, accented by more marble and a large mirror. An indescribable view of the downtown area and the river can be seen out the windows from here. Once lavish and loved, it was now home to vagrants who had left heroin needles and trash lying about; a spectacular view bestowed on the least deserving. We moved on. The bathroom was stark in contrast to the sitting room. The entire room was covered in onyx black tile from floor to ceiling; the shower, the sink, and even the toilet – all black. I made my way to a bigger room facing north; it had a huge ceiling and was, as you would expect, opulent. I suppose that this would have been the spot that Mr. Broderick did much of his entertaining in. It had higher ceilings and a larger overall area. Since it was directly next to the kitchen I assumed this was the dinning room. |
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The windows in the top tier of the tower are decorated with thick Gothic arches, giving the tower its noble look along the skyline. On the second level there is a small bedroom above the sitting room facing south. Another bedroom allowed for a view of the Ambassador Bridge and the city’s west side. By now I had realized it was close to sunrise, and time to go. We hastily made our way down the musty stairs and back to the window through which we had entered. We backtracked and traversed our way across the narrow iron beams and down the stairs to the alley in back of the tower. The night I spent in the David Broderick was one of the defining moments in my exploring career. With that under my belt I decided to go full speed ahead and see every building I could get into. Over the next two years I covered the vast expanses of Detroit in search of buildings historic and forgotten. The Broderick tower is both, and until it is revived from the depths of its despair, it will sit dark and lonely, calling to tell stories to all who will listen.
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Update: Despite the 2010 deadline, the Broderick Tower still has yet to be renovated. However, the owners have updated their website to reflect the future plans they have for the project. The new site showcases impressive, if not ambitious artist renderings of floor plans for the derelict building. Check them out here on The Broderick Tower Website |
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